BALCK
MANE
On
Publishing |
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by
Michael
LaRiccia |
When I decided I was going to write Black Mane, I really didn’t have any plans for it outside of it being an art project for school. I was in grad school studying printmaking and entertained the idea of printing a comic book on an old flatbed offset litho press the school had acquired. When I found out that there was a grant in existence which was specifically created to help self-publishers print graphic novels, I became motivated to see the project all the way through and mass produce it. The grant application was a true test because I decided to send the book finished to the grant committee. I was constantly working out deals with friends who had good printers and with local commercial printers. Every time I printed something I found a spelling error or some distracting mark and had to re-print it. I was researching printers and getting quotes. I was emailing past Xeric grant recipients for advice. I was contacting prominent comic book artist and getting their feedback. I was networking with publishers and receiving criticism. This was all before even knowing if I received the grant. And when all six copies of the application were printed and mailed to Northampton I realized, “What am I going to do if I don’t get the grant?” So I began researching local printers, artists and publishers in the area preparing to bear the financial burden of publishing on my own.
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